The Secrets That Antique Jewelry Keep

We’re always pleased when jewelry reveals some of it secrets through hallmarks, maker’s marks and engraved details. However, some jewelry are meant to keep secrets; artisans have built compartments to protect the wearer’s valuables and tokens of significance, and encase them in some seriously fabulous materials.

19th Century Etruscan Revival coach covers, from the Gray & Davis archives.

19th Century Etruscan Revival coach covers, from the Gray & Davis archives.

Coach cover with the old mine cut diamond earring it encased, from the Gray & Davis archives.

Coach cover with the old mine cut diamond earring it encased, from the Gray & Davis archives.

Fashionable and functional in the 19th century, “Coach covers” are attachable orbs that cloaked valuable earrings to protect the wearer in transit (we assume from villainous highwaymen). Once the wearer arrived at her destination, she could remove the covers and let her diamonds out.

A 15K gold brooch pendant with its original pin and catch made c. 1860.

A 15K gold brooch pendant with its original pin and catch made c. 1860.

The brooch pendant's secret locket compartment, now fitted with a piece of brocade. 

The brooch pendant's secret locket compartment, now fitted with a piece of brocade. 

Jewelry that incorporated a loved one’s hair became popular in the seventeenth century and remained in fashion until the end of the nineteenth century. Pieces could be given as both a sentimental gesture (Queen Victoria gave hair jewelry throughout her life) or included as part of mourning jewelry to further personalize the token of remembrance. Jewelry with a glass plate built in, as well as some daintier antique lockets, most likely held beautifully woven hair; period jewelers were skilled at braiding and working it into compartments of brooches, pendants and rings.

A 15K rosy gold locket ring with a buckle design and hand engraving, made c.1830.

A 15K rosy gold locket ring with a buckle design and hand engraving, made c.1830.

Buckle ring hides woven hair around the band's center.

Buckle ring hides woven hair around the band's center.

Small ring compartments may have held other secrets besides hair. Rings crafted with a small lidded compartment for herbs, or something more sinister, are mentioned in ancient texts. Famous locket ring wearers included Elizabeth I and members of the powerful Borgia family. The ring’s use in fictional and real life drama buoyed their popularity in the 16th through 19th centuries.

Victorian 15K gold and banded agate men's intaglio ring with locket compartment.

Victorian 15K gold and banded agate men's intaglio ring with locket compartment.

Larger locket pendants became fashionable c. 1860-1880, coinciding with increasing availability of portrait photography – for the first time, images could be created and mounted into jewelry that didn’t require the skill of a miniature portrait painter. Today, with the help of image resizing, we can put pictures into those small jewelry compartments so they may once again hold treasured mementos.

French 18K gold Georgian locket with carved Garnet and scalloped edge of rose cut diamonds, c.1800. Rock crystal locket backing.

French 18K gold Georgian locket with carved Garnet and scalloped edge of rose cut diamonds, c.1800. Rock crystal locket backing.

Early 20th Century 14K gold locket watch fob with black enamel and a spider design set with an old mine cut diamond.

Early 20th Century 14K gold locket watch fob with black enamel and a spider design set with an old mine cut diamond.

Victorian 18K rose gold watch chain is hung with a shield-shaped locket containing a hinged disk of rock crystal. French Import mark c. 1838 - 1864. 

Victorian 18K rose gold watch chain is hung with a shield-shaped locket containing a hinged disk of rock crystal. French Import mark c. 1838 - 1864. 

Silver Jewelry & the Aesthetic Movement

During the nineteenth century jewelry designers (and all the other sorts of designers, for that matter) were obsessed with historical revival styles. Classical, Gothic, Renaissance, Egyptian, you name it the Victorians revived it. While we love finding these revival pieces today (Etruscan Revival, anyone?), some Victorians started to get sick of re-hashing old styles and longed for design that was fresh, new and original. These people became followers of what came to be called the Aesthetic Movement, which celebrated ‘art for art’s sake,’ separate of any historic motifs or meanings. 

Aesthetic style wallpaper design by Bruce James Talbert, c. 1878. Victoria & Albert Museum

Aesthetic style wallpaper design by Bruce James Talbert, c. 1878. Victoria & Albert Museum

In 1854, around the same time the Aesthetic Movement was becoming a big deal, Commodore Perry and the US navy bullied Japan into a trading agreement with the United States. 

A Japanese woodblock portrait of Commodore Perry c. 1854 ... he wasn't necessarily Japan's favorite guy...

A Japanese woodblock portrait of Commodore Perry c. 1854 ... he wasn't necessarily Japan's favorite guy...

Beautiful Japanese artwork that had rarely been seen in the West was suddenly available at boutiques and world fairs across Europe and America.

'Evening Snow at Kambara' by Utagawa Hiroshige, woodblock c. 1834. 

'Evening Snow at Kambara' by Utagawa Hiroshige, woodblock c. 1834. 

Those inclined towards the Aesthetic aesthetic were enamored, and Western takes on Japanese art appeared on everything from teapots to jewelry. Many striking aesthetic-style jewels were fabricated in silver, and feature japanesque motifs like fans, flowers, bamboo and birds engraved on bold, geometric silver pieces. Oftentimes colored gold details were applied on top of the silver in imitation of Japanese shakudo work. 

This aesthetic chain and locket are currently in our cases at Gray & Davis.

The addition of delicate engraving on such large-and-in-charge pieces makes for quite a statement, even today.